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Last year, when we were putting together “The 100 Jokes That Shaped Modern Comedy,” our goal was to present a list of jokes that captured the entirety of capital-C comedy.While we feel like we succeeded in that mission, we also came away wondering if the scope had been too limited — if there were jokes outside the sphere of stand-up, sketch, radio, TV, and film that helped establish what we think of as comedy today.Still, that joke underlines his complicated legacy.Kersands’s act affirmed many of the worst stereotypes of the slow-witted Sambo character seen in white minstrel shows.The list was put together by Jesse David Fox, Bill Scheft, Dan Pasternack, Yael Kohen, Mike Sacks, Christopher Bonanos, Hunter Harris; E.Alex Jung, Abraham Reisman, Andy Beckerman, Naomi Ekperigin, Andy Evans, Bridget Flaherty, Halle Kiefer, Jenny Jaffe, Elise Czajkowski, Ramsey Ess, Jake Kroeger, Matthew Love, Katla Mc Glynn, and Dave Schilling.We’ve also decided, with very few exceptions, not to duplicate anyone from the first list.Of course, the greats have had multiple dimensions to their influence, but our objective with this list is to tell more stories, and that meant no repeats.

The history of the country cannot be separated from the fact that it was built on the backs of black slaves, and the history of modern comedy cannot ignore that it started with white men in blackface.”) — the funniest and most lasting part remains just how absurdly fast it is, setting a comedic pace soon seen in vaudeville.The song brought the house down in 1879 and it’s still frequently parodied today.You may not know any of the hundreds of words, but I’ll bet you know the tune, and there aren’t a lot of Victorian-era operatic songs that can claim that.Mark Twain’s most famous work is best known for its biting commentary on racism and the Victorian panic over corrupted youth, but just as important is Twain’s satire of man as a whole.