Also included are 4 mini compositions that resulted from an experimental music course given by Oram at a high school in Yorkshire in 1967.Boomkat Daphne Oram might not be a name as familiar as, say Delia Derbyshire or Raymond Scott, but she is one of the unsung heroes of the early electronics movement, and even more interestingly was the founder of the BBC Radiophonic Workshop! Well you should be, Daphne joined the BBC at a mere 17 years of age back in 1942 (turning down a place at the Royal Academy of Music) and from there on she badgered the company endlessly to start investing in electronic music.It was an incredibly original way to think about sound creation, and her work was totally pioneering in the genre - allowing her to make sounds and compositions totally unlike anything heard before.Daphne continued to experiment with music using the Oramics system and then an Apple II computer until she had a stroke in 1994, and was up until that time totally dedicated to experimental electronic music.Citing is easier with Easy and a little bit of knowledge!Read our guide to learn what MLA is and how to make properly formatted citations.Yet, however hard you look into the history of electronic music, there is one name you'll struggle to find – that of Daphne Oram.Oram was one of the first British composers to produce electronic sound, a pioneer of what became "musique concrete" – music made with sounds recorded on tape, the ancestor of today's electronic music. She was born in 1925 when Britain was between two world wars.
And there are more esoteric studies that mention Raymond Scott, Louis and Bebe Barron, Tom Dissevelt and Kid Baltan.
She was convinced of the potential of this new sound and was totally obsessed with pioneering it, to the point where she would camp out at the BBC studios for nights on end splicing tapes and working with various modified machines to create her abstract soundscapes.
Eventually the BBC bent under her pressure and in studio 13 created the soon-to-be-legendary Radiophonic Workshop, with Daphne Oram as the director.
She was extremely bright, and studied music and electronics – unusual at the time not only because electronics was an exciting new industry, but also because it was a man's world.
She went on to join the BBC, and, while many of the corporation's male staff were away fighting in the second world war, she became a balancing engineer, mixing the sounds captured by microphones at classical music concerts.